The similarity of the textual structure and the poets’ compliance The form of the pre-Islamic poem from purpose to connotation

Abstract

    Research into the frameworks for organizing texts and their writing techniques is considered the most important discourse that describes the creative process and writing based on awareness, which relies on written text in imitating and imitating the previous, or rewriting according to a previous method, or constructive inputs with which the awareness of the creator is obsessed through the work of restoring the latent active ego as  (I) is an intentional and content phenomenologist (II) who

relies on technique based on a set of linguistic connections between the structures of creative texts or mnemonic textual records that have preserved the poetic text                                                                                                                       

   This is achieved in the ways of constructing many pre-Islamic poetic texts by imitating and imitating the predecessors, and this is what is known as the organizing framework of the artistic work, or the structural form of the creative text, whose poets used to produce their texts with a textual structure that was similar in style and close in form, so that it would be acceptable and influential every time it was repeated. Because of the predicates, symbols, and connotations it contains, it makes the text innovative, different, and creative, reflecting its virility and special poetry.

   In order to answer the question of commitment and stylistic conformity occurring in the textual structure of the pre-Islamic poem, the matter is postponed for many reasons, the most important of which is forming the formal structure of the poem in a way that takes into account their psychological state, their mental abilities, their cultural references, and its existential implications. Opinion has been agreed upon because it is consistent with their solid collective awareness. The power of orality also has a great influence in drawing the structure of the pre-Islamic poem. The model and subsequent poets’ compliance with it, and the incompleteness of the critical theory that crystallized in later eras and which produced many departures from this structure are another reason for the compliance and structural similarity of the pre-Islamic poem.