Thresholds of writing and the production of meaningIn the poetry collection of the poet Muhammad Saber Obaid(This is how I mess with the sand of speech)

Abstract

     This research is an attempt to uncover the thresholds of poetic writing in the collection: (This is how I mess with the sand of words) by the Iraqi poet Muhammad Saber Ubaid, and to monitor their semantic impact in illuminating reading for the reader, describing them as speeches resulting from the poet’s prior awareness of his poetic writing. It is the first reading barrier that the reader encounters, through which he needs reading ability to reach the cognitive or referential systems it contains.

Based on this understanding; The thresholds of writing in the collection (This is How I Mess with the Sand of Speech) form textual transcendences with intentional

revelations from the poet himself that can lead the reader to the interior of the texts based on a number of functions they perform.

The written passages in the collection of the Iraqi poet Muhammad Saber Ubaid (This is how I mess with the sand of speech) are other texts worth reading, because they were in harmony with the mother text, and even expressed it in the other poetic significance it produced. The poet deliberately gathered his poetry collection with these thresholds to become another text parallel to the original text.